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Transtext(e)sTranscultures跨文本跨文化,2007
2009
KoreaJournalofChineseLanguageandLiterature
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2018
Anhuishixue[Anhuihistoricalstudies],2020
JournalofLanguage,Literature,andTeaching
Thetitleofthisresearchisthe“shèngnǚ”labelsolutiontofemalemaincharacterinthe《剩者为王》movie’s:feminismanalysis.Inthisstudythebackgroundoftheriseoffemalephenomenaagedover27yearsbutstilldoesnothavethedesiretogetmarriedsothatresearchersadjusttheformulationoftheproblemhowwomenlookforwaystobefreefromtheshacklesofwhicharelabeledshèngnǚtothem,especiallyinthefilm“shèngzhěwéiwáng”.Thepurposeofthisresearchiscarriedouttodescribethewaytheshèngnǚwomenareinordertobeinaccordancewiththenormsofthecommunityintheirowncountry.Inthisassessment,researchersusequalitativedescriptivemethodsanddatavaliditythroughtriangulationbyusingthefilm"ShèngZhěWéiWáng"asasourceofdata.ResearchersusedthetheoryofexistentialfeminismfromBeauvoir(1956)asasupporterofthisresearch.Lastly,Researchersfoundoutthattherearemanywaysthatshèngnǚcandoinordertobein...
HumanitiesandArts
TheCanglangtingGardenwasfirstbuiltbySuShunqinintheNorthernSongDynastyandunderwentfrequentchangesinthefollowingfourdynasties:Song,Yuan,Ming,andQing.Thethemeof"Canglang"anditsconnectionwithSuShunqinalsodisappearedandemergedinhistory,andgraduallybecameprominentaftertherenovationofCanglangtingGardenbySongLuoduringtheKangxiperiodoftheQingDynasty.BasedonlocalChronicles,gardenrecords,poemsandimages,andotherrelatedhistoricaldocuments,thispaperfocusesonthestudyofthespatialnarrativechangesofCanglangtingGardenfromtheinitialconstructionofSuShunqintotherenovationofSongLuobyintensiveliteraturereading,imageanalysisandfieldsurvey,discussessomeimportantissuesanddetailsinparticular,suchasthebackgroundoftheemergenceofCanglangtheme,thecompetitionbetweenZhangandHanduringthechaotictimes,thedisappearance
AdvancesinPsychology,2015
2015
Depuis1979,lescritiquesd'artenChineontaccompagnéledéveloppementdel’artcontemporain,participantàlarenaissancedelavieintellectuelledurementéprouvéesouslerègnedeMao.Lesrevuesd'artreflètentl’évolutiondeleurréflexion.Dansmathèsejeprésented’unepartcepaysageintellectueldanslequels’estconstruitelacritiqued’artchinoise,etd’autrepart,aprèsavoiranalysécommentcertainsconceptspassentd’unelangueàl’autre,j’abordelestextesthéoriquesetleurréceptiondanslemilieuacadémique.Attirésaudépartparlapenséeoccidentale,unchampréférentielquis’étenddePlatonàDanto,lescritiqueschinoissesonttournésensuiteverslecorpusclassique,voireleLivredesmutations,pourforgerdesoutils“propresàlaChine”afinderé-écrireunehistoiredel’artcontemporainchinoisdélivréeducarcanpost-colonial,maisaurisquedeseprendreaupièged’unnationalismeinsidieuxencouragéparleParti.Leslargesextraitsque...
Zhongguokexue,2017
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